Film Roles

Flesh (1968), directed by Paul Morrissey; “Candy”.

"AN EROTIC ODYSSEY... extraordinarily touching... outrageous, funny, with a profound sadness lurking just beneath the surface."

-- Los Angeles Times

"A WILDLY FUNNY AND INNOVATIVE MOVIE."

-- Rex Reed

"HILARIOUS, POIGNANT, AND REAL."

-- L.A. Herald Examiner

Brand X (1970), directed by Win Chamberlain; “Marlene D-Train”.

"A MERCILESS SATIRE of general television programming... DEVILISHLY, PIERCINGLY FUNNY."

-- Roger Greenspun, The New York Times

La Mortadella, AKA Lady Liberty (1971), directed by Mario Monicelli; Transvestite (uncredited).

"Monicelli... has an appreciation for things absurd."

-- Vincent Canby, The New York Times

Klute (1971), directed by Alan Pakula; Person in Disco (uncredited).

"For once, a GENUINELY PSYCHOLOGICAL THRILLER."

-- Time Out

Some of My Best Friends Are, AKA The Bar (1971), directed by Mervyn Nelson; “Karen/Harry”.

"A DRAMATIC EXPOSE."

-- TV Guide

Women in Revolt (1971), directed by Paul Morrissey; “Candy”.

"Madcap Soap Opera -- AS HILARIOUS AS IT IS DIRTY. In a crazy way it must be called a success."

-- Vincent Canby, The New York Times

"A MASTERPIECE OF WIT."

-- Esquire

"SUPREME MOMENTS OF COMIC ABSURDITY."

-- Independent Film Journal

Der Tod der Maria Malibran, AKA The Death of Maria Malibran, (1972), directed by Werner Schroeter.

"DECADENT ROMANTICISM... Schroeter's film is a delight to the eye -- RICH, STRANGE AND PERVERSE."

-- Time Out

Silent Night, Bloody Night, AKA Death House, AKA Night of the Full Dark Moon (1974), directed by Theodore Gershuny; “Guest”.

"ONE HELL OF A HORROR GEM... forgotten classic... a major influence on many a horror film."

-- Lawrence P. Raffel, Monstersatplay.com

Look up Candy on IMDb...